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They also represent some values, behaviors, thoughts. The audience can grasp the connection of the story and the characters with their own life, as they become acquainted with these values, attitudes and ways of thinking. For example, a hero who represents values ​​such as devotion and courage means to the audience no matter what century or geography he lived in. Remember the movie Brave Yürek. 3 Next in You Cinema is an art branch that attracts the attention of large masses, unlike many other branches of art, and is followed by people with different educational or economic conditions. There are spectators in the audience who enjoy different pursuits. Artists want to reach this type of audience. Art, on the other hand, always thrives on searching for and experimenting with new forms. Artists like to push their creativity and look for ways in which they can express themselves better.

Available Sources Bordwell D., Thompson K. (2009) Film Art: An Introduction. Translation: E. Y ›lmaz, E. S. Onat, Ankara: De Ki Bas› m Yay ›m. Chatman, S. (1985) Antonioni Or, The Surface Of The World. Berkeley: University of California Press. Gürata, A. (2004) “Following the Subjective Time: Postmodern Times and Point of View in Cinema”, in Narration and Types in Cinema, Der: F.D. Küçükkurt, A. Gürata, Ankara: Vadi Publications. Hill, J. (1998) “Film and postmodernism”. The Oxford Guide Film Studies, J. Hill, P. Church Gibson (Eds.) New York: Oxford University Press. Kovacs, A. B. (2010) Watching Modernism: European Art Cinema, 1950-1980, Translation: E. Y ›lmaz, Ankara: De Ki Bas› m Yay ›m Truffaut, F. (1987) Hitchcock, Translation:‹. Fast, ‹stanbul: Afa. Wellman, W. (2010) Scenario Writer’s Roadmap. Translation: E. Ar ›duru,‹ stanbul: Alt ›k› rkbefl Publications.

Films benefited Amelie (Jean-Pierre Jeunet, 2001) Avatar (James Cameron, 2009) Honey (Semih Kaplano¤lu, 2010) Carmen (Carlos Saura, 1983) Majority (Seren Yüce, 2010) Falling (Tarsem Singh, 2006) In the Shadow of the Past (Tony Kaye, 1998) Leon (Luc Besson, 1994) The Red Mill (Baz Luhrmann, 2001) The Silence of the Lambs (Jonathan Demme, 1991) A Clockwork Orange (Stanley Kubrick, 1971) Black Ku¤u (Darren Aronofsky, 2010) Overhaul in a Coffin (Dervifl Zaim, 1996) Taxi driver (Martin Scorsese, 1976) Eclipse (Michelangelo Antonioni, 1962) Master (Bahad ›r Karatafl, 2009) Vavien (Duru, Ya¤ mur Taylan, 2009) Pickpocket (Robert Bresson, 1959) Citizen Kane (Orson Welles, 1941)

After completing this unit; Turkey cinema> n> the development in the two periods under discussion> may be fluorine; It will be able to explain the emergence and development process of art films in our cinema; Will be able to explain the emergence and development process of popular cinema and immigrant cinema


Turkey Cinema> G last decade> s internationally> followed with interest in the country’s cinemas platforms> has become one of the. It can be said that the transformation that has been experienced since the eighties and the emergence of a new generation of filmmakers marks the beginning of a new era for local cinema.

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